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During weeks 6 through 9 in Ecorche with Rey Bustos at LAAFA we added “musculature” to our ecorches. Using “chocolate” Sculpey, we crafted each muscle according to helpful guidelines Rey provided for us.
With Rey’s detailed drawings and demonstrations to lead us in the right direction, we worked our way up the body, all the way from lower leg, through the abdomen and upper body to the facial muscles.
Starting in early July, Sharon will be teaching Plein Air/ Landscaping Painting on Fridays.
Please consider donating your art books to LAAFA’s art library – coming this fall!
In preparation, we are having a book drive. From now until July 1st, donate your art books to receive a raffle ticket for FREE summer classes! Each book donated gets you one raffle ticket. Raffle winners will be announced July 2nd.
Mondays -Thursdays 10 a.m. to 7 p.m.
Fridays 10 a.m. to 5 p.m.
Saturdays – Sundays 9 a.m. to 10 a.m.
|The Librarian, 1566, oil on canvas, Giuseppe Arcimboldo|
In class, Rey had a “varnishing station’ set up for us. We lightly brushed varnish over our spray painted ecorches. We only applied the varnish to the left side, the side that will remain as exposed skeleton. We left the right side coated with spray paint only, so the clay we apply to represent muscles will stick. The effect of the varnish over the spray paint is fantastic- don’t you think?
I can’t believe we have already reached the halfway point- week 5 in Ecorche with Rey Bustos at LAAFA! Class number five focused largely on process, as this week’s tasks were to complete the skeletal body and “bake” the ecorche to permanently harden the Sculpey.
In class, Rey demonstrated how to finish the delicate bones of the lower arm, the radius and the ulna. Rey recommended stringing the tiny finger bones onto the wire like beads. This simple technique creates a sophisticated skeletal model of the
For the fleshed out right hand, Rey drew us a diagram of the palm. He encouraged us to make our ecorches’ hands expressive, and to add creases, or flexure lines, for a lifelike effect. Everyone had more than enough armature wire to support the fingers on each hand.
We just cut off what we didn’t need after
completing both hands.
The next lecture topic was Rey’s favorite bone: the scapula. I have to admit, floating like wings on the human back, scapulae are beautiful bones. Rey showed us how to mold the organic protrusions that define the scapulae. He also showed us how to attach the left scapula so that only the socket, or glenoid fossa rests against the head of the humerus. As you can see, this was a well-documented moment of the class. 😉
Back at home, I carefully followed the written instructions Rey gave us on baking our ecorches. Behold! Five weeks of sculpting permanently set in polymer clay! Now, before adding the muscles, all I have to do is paint and varnish the bones.
I’ll post an update on the painting and finishing process soon!
Week 4 in Ecorche with Rey Bustos at LAAFA was action-packed!
During the first part of class, Rey led students in bending wire to create five-pronged armatures for the right and left hands.
The design of Rey’s ecorche features a moveable left elbow joint, so we made the wire armature for the left forearm and hand as a separate piece. I taped mine to my ecorche’s ground for safekeeping.
After a series of neat accordion bends and just one snip with wire-cutters, we had the armature for our ecorches’ right hands in place as well.
Rolling out the ribs and building the support surfaces for future “muscles” on the right side of our ecorches filled the rest of the class.
The support clay on the right side of the ecorche does not represent any anatomical structures in the human body. However, for our ecorches, this support will be necessary when we begin to add muscle to the figures in two weeks. Rey made sure each student’s ecorche was on track before dismissing class.